After the break it was the turn of Prokofiev, which were performed two songs rather different for the inspiration.
In the Five songs without words for violin and piano op.35
coexist happily charms different between harmonious openings melodic and luciferini flashes of virtuoso taste almost iconoclastic.
In the Sonata for violin and piano no.2 in a minor
, which unfolds in four movements and is a transcription – strongly advocated by Ojstrach – one page for music that saw the protagonist of the flute, the pace is dizzying, and the emotional valence genoa, take your breath away, so much so that the short fragments more linear, seem to be almost indispensable to relieve the tension.
As in the case of Savall, useless to describe the virtues of one of the most celebrated soloists of the time, but undoubtedly the presence of Vengerov on stage was charismatic and engaging.
Also, after an evening full, the soloists have granted a three-bis anything but routine, again drawing inspiration from the repertoire of Prokofiev and evoking another great Russian Sergei Rachmaninoff.
The public pretty numerous, and, of course, in raptures, has decreed that the great success of the second evening of the Festival of Trieste.Paul's Bully for Operaclick.comAll materials of the “Press” section →